Mixing in Logic Pro X — The Basics.
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How to prepare your Logic Pro project for your mixing engineer
Mastering is an essential step to make your music sound professional and ready to be shown to the world. This is the stage that comes after mixing and it is meant to enhance your song dynamically , make it brighter and set it up to the loudness standards of the industry. During the mastering process, the producer or engineer may use different plugins and effects such as EQ , compression, and limiter to achieve a loud and shiny final result.
If you want to learn how to master in Logic Pro X , keep reading, as we will break down every step needed for taking your music to the next level using only the Logic stock plugins ; But as well recommend you some free tools that you can download in to assist you even further in the process. If you would like to learn more about Logic Pro X , please check out our Logic Pro X Review article, an up-to-date guide breaking down all the functionalities and aspects of the DAW that will help you decide if it is a good investment.
Mixing and mastering go hand in hand. There are tons of great videos and tutorials on the internet, as well as courses, but it may be difficult to know where to start. Here are a few important points to learn about to help you master the subject:.
We strongly recommend that you take a look at our Basic Mixing Techniques video as well. Tip: For tips on how to improve your workflow and get results faster, consider checking our Logic Pro X Shortcuts guide. There are a few things you should note when you bounce your mixdown for the mastering process. The first is the amount of headroom that is present in your mix, that is, at what level it is peaking. You can easily notice this by looking at your master channel dB meter.
We advise you to have your track peaking at about dB to -8dB. If your mix is too above or below that range, you can simply insert the gain plugin on your master channel and trim it. The next step is choosing the right audio format. Now that you have your file bounced and ready , take a minute to search for one or two reference songs.
You should pick something in the same style and genre as your music and, above all, that you like the sound of. This step is important and professional sound engineers do it all the time. You can also take a moment to compare your reference with your own track, using tools such as the Multimeter to see how it performs on the technical side and to analyze the frequencies of each of the files.
Once you have your track loaded up in Logic Pro, it is time to think about using a compressor to further control your dynamics and glue everything together. The Vintage VCA is an emulation of the famous Solid State Logic compressor present in the SSL Series channel strip, and it is famous for its ability to glue everything together and give your music extra analog mojo.
The standard Platinum Digital is an all-around workhorse, but if you feel like your track is sounding too digital or harsh , it may benefit from the subtle coloration of the Vintage VCA. The Threshold will define when your compressor will start working. For example: at dB, it will only be engaged when your audio is above that level. Now it is time to set the Attack and the Release.
For mastering purposes, try keeping the Attack anywhere from 30ms to ms depending on your song. Shorter settings will smack the transients harder but longer ones may give your mix a little extra impact. The Release setting is gonna determine how early or late the compressor will stop working. Start with a setting of ms to ms and work your way up. A great tip is to pay attention to kick and the snare when setting the release since they are the instruments that will impact the transients the most.
It is worth noting that the most important thing when setting your master compressor is using your ears. Here is a video from In The Mix to help you hear the subtle nuances of compression , both in mixing and mastering:. You can also use the Multipressor for even more control over your sound. The plugin allows you to use different settings of compression for different frequencies. The plugin is very simple to use. It is divided into four sections and you can tune the frequency using the main upper panel.
Below that, you will see the same controls that you would find in a standard compressor. Just as with the compressor, you should use the equalizer very subtly when mastering. The Channel EQ is parametric and more surgical. It will give you more control over your frequencies. However, the added functionalities make overdoing it much easier so be careful. The Vintage EQ Collection semi-parametric plugins are modeled after famous real units.
The benefit of using them is that they add a little bit of analog color to your sound and the stripped-down style makes them less prone to exaggeration — perfect for mastering. Also, make the Q range as broad as possible so the result is smoother and more consistent. Compare your song to your reference and check for any frequencies that would benefit from an extra boost. A slight boost at around 8kHz using a high-shelf setting should add a little bit of brightness to your master; As well as one using a low-shelf at kHz for bringing attention to your bass sound.
Saturation is an optional step that can give your sound extra perceived loudness and analog mojo by distorting the sound very subtly. There are a few ways you can do this inside Logic. These are modeled after real analog units.
There is also a feature in the Tape Delay plugin that will work. Under the Character section, note the Clip Threshold knob. Dial it back very carefully to add some tape saturation to your sound, but keep it to a minimum. You may also download the free Saturation Knob plugin by Softube. This type of plugin can be used to enhance the overall stereo image of your audio. You should go about stereo-widening very carefully as, if used incorrectly, it could throw your mix all over the place and make your bass sound weak , as well as cause phase issues.
If you still decide to use it, just as with most things in mastering, keep it to a minimum. Load the Stereo Spread plugin and set your Lower Freq. Keep the Lower Int. Set the stage to 4 or 5. Finally, a limiter will catch the loudest transients in your song while increasing its loudness to standard levels. Limiting is somewhat similar to compressing, but in a much more aggressive way: these plugins will squash any sound that exceeds the threshold , enabling you to have more perceived loudness without clipping.
There are two plugins for this job inside Logic: the Limiter and the Adaptive. With the first one, you will have to dial the release by yourself, as opposed to with the latter, which will automatically adapt the value based on your audio signal. Both can do a pretty good job but the Adaptive one will sound more natural on most applications so we recommend going with it. After you load the Limiter plugin into your project, insert the Loudness Meter afterward so you can see your audio volume in Lufs.
Basically speaking, it is the kind of metering used by streaming services and audio platforms to standardize levels. What each platform does is automatically turn down the gain of any song that is louder than a certain value , so as to create a better experience for the listener. This value will vary depending on the service. Spotify , for example, normalizes everything to Lufs. The first thing to do after you load the plugin is to set the Out Ceiling value to -1dB.
This is a safety measure to ensure better playback of your song through different systems without clipping. Now, put the Loudness Meter side-to-side with your Limiter window and adjust the Gain knob until your audio is at to Lufs. What dithering does is apply low-level noise to your sound, avoiding any data or quality loss. This is a tip that will also apply for mixing. Be sure to bounce different versions of your track and test how they sound across different listening systems.
For example headphones , earbuds , small speakers , and the car stereo. One of the major goals in mastering and mixing is to make sure your track sounds good across a wide variety of equipment and environments. Sure, it is impossible to achieve a perfect result, but if you feel like your master is not sounding as impactful in your car stereo as it is in the studio , take a moment to adjust your parameters until you find a common ground. Even though Logic Pro will offer you a complete set of plugins , you can find some great additional free ones to aid you both in the production process and to take your masters to the next level.
Here is our selection:. Channel-strip plugin with built-in equalizer, compressor, tape saturation, and limiter sections. An all-in-one solution. A simple monitor speaker simulation tool. Great especially for those mastering with headphones.
Isol8 gives you a wide range of monitoring options. You can, for example, solo or mute a group of frequencies or see how your songs are sounding in mono. These were our tips on how to master in Logic Pro X. Since each track is a different case, producers should train their ears and skills extensively to achieve a professional final result on their masters: it is all about how many hours you put into the practice. Soundtrap by Spotify, is hands down the best online daw with built in autotune.
Sign up for free, and make music faster. What is Logic Pro X? Typical Mastering Chain in Logic. Tape Delay — The Character section can add tape saturation to your sound. Stereo Spreader. Adaptive Limiter. Loudness Meter. Sign Up Free.
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